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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / chris 20o 'doherty

Tim Flannery

Provocative talks on Saturdays in September

Archived media releases 2016

Join The Saturday Paper’s chief political correspondent, Karen Middleton, for A Month of Saturdays – afternoon conversations bringing current affairs experts to the Gallery for engaging, real-time discussions about the topics that matter.

Margaret Fink

Margaret Fink

Margaret Fink

Margaret Fink, 1975

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program

Father Peter Steele

Peter Steele

Father Peter Steele AM (1939-2012), poet and Jesuit Provincial, grew up in Perth, destined from youth for the priesthood.

1 portrait in the collection

Peter Allen

Peter Allen

Peter Allen

Peter Allen, 1980

Portrait, gelatin silver photograph on paper

Purchased 2003

Evonne Goolagong

Evonne Goolagong (Cawley) AC MBE

Evonne Goolagong Cawley AC MBE (b. 1951), Wiradjuri tennis champion, was the number one women's tennis player in the world in 1971 and 1976.

3 portraits in the collection

Florence Cardell-Oliver

Florence Cardell-Oliver

Florence Cardell-Oliver

Florence Cardell-Oliver, n.d.

Broothorn Studios

Portrait, gelatin silver photograph on paper laid on photography studio backing board

Gift of Chris Nielsen 2016

Margaret Fink

Margaret Fink AO

Margaret Fink AO (b. 1933), film producer, was a key figure in the renaissance of Australian cinema in the 1970s.

2 portraits in the collection

Maryan, 2010 by Rod McNicol

Rod McNicol

Archived media releases 2015

Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.

Chris Wallace-Crabbe

2014-15 Acquisition Fund

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Checkered Past, 2003 by Alex Epoff

Headspace 4

Previous exhibition, 2003

Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria

Miles and Arkie, 2015 by Clint Peloso

Shop Talk

Magazine article by Stephen Phillips, 2016

Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.

Professor Peter Doherty

The Changing Face of the Scientist

Magazine article by Elizabeth Finlay, 2003

Scientists tend to conjure up images of men in white coats in labs but this is just one stereotype in an evolving history of how we have perceived scientists, and how their profession has been understood over the years.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval, 1985

Portrait, pencil on paper

Collection: National Portrait Gallery
Gift of the artist 2016

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Osher, 2018 by Stephen Baccon

Snap chat

Magazine article by Anne O'Hehir, 2019

2019 National Photographic Portrait Prize judge Anne O’Hehir looks beneath the surface of this year’s entries.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency